Asayo Murakami: The Last Picture Bride

Believed to have been Canada's last picture bride, this story covers the milestones in Asayo Murakami's life, from leaving Japan for Canada in 1924, to her passing in Calgary at the age of 104.

by Kojiro (John) Iuchi

Mrs. Murakami, named Asayo because of her birth in the early morning (asa), was from a privileged background and trained to be a teacher. She married a man from a prominent Hiroshima family named Ishibashi
Asayo Murakami tending her garden in Steveston, BC
©John Iuchi (from a photo of a photo on display)—Mrs. Murakami tending her garden at home in Steveston, BC.
and delivered two healthy daughters. In 1921, she gave birth to a son who died shortly afterward. Her inability to bear a healthy heir marked her as a failure as a woman and a wife in Japan, and it is thought to be the reason for the dissolution of the marriage. The daughters were sent to live with their paternal grandmother and Asayo left Japan.

Family lore had it that the matriarch of the family came to Canada as a picture bride. They knew little of Asayo's first husband. It was said he had abandoned his wife and taken their two daughters, ages 4 and 6, to live behind the gates of the Imperial Palace. A researcher hired for the documentary, Obachan's Garden*, discovered the couple had divorced in June, 1923.


She arrived on May 27, 1924 to be met by a short man for whom she was not attracted to in person. "This man from the picture, as soon as I saw his face, I knew he was not my type," Mrs. Murakami says in Japanese in the documentary.

On exchange of photographs, Asayo came to Canada as a picture bride in 1924, after agreeing to marry a man here named, Murakami. So, on April 27, 1924, she boarded the steamer, Iyo Maru, with dozens of other picture brides as a third-class passengers. Among her few belongings was a prized violin and a photograph of her daughters. Her immigration papers listed her occupation as wife and her object in going to Canada as: "To join my husband."

She arrived on May 27 to be met by a short man for whom she was not attracted to in person. "This man from the picture, as soon as I saw his face, I knew he was not my type," Mrs. Murakami says in Japanese in the documentary.

"I didn't even want to look at him," she stated.

She broke her marriage contract on the spot. It would take three long years of working in a fish cannery, and picking strawberries in the fields, before Mrs. Murakami saved $250 to repay her short-lived husband-to-be for the cost of her voyage.

John Iuchi in front of Murakami home in Steveston, BC
©John Iuchi—Author, John Iuchi in front of Murakami home in Steveston, 2004.

A matchmaker later introduced Asayo to Otokichi Murakami, a tall widower with two children of his own. (His family name was coincidentally the same as that of her rejected suitor). They settled in Steveston, BC, a fishing village south of Vancouver in what is now suburban Richmond. Mrs. Murakami became known among her neighbors for her stunning flower garden.

She soon gave birth to a son, who was named George, after the reigning monarch. Seven more children were born, all living on the money her husband made as a master boat builder.

In Canada, she was forced to surrender her property, and her freedom, in 1942 because of her ethnic heritage. The Murakami family, along with many others of Japanese ancestry, were evicted from their homes. Eight members of the Murakami family wound up working on a Manitoba sugar-beet farm, laboring at 50 cents an hour. When restrictions on their movement were lifted in 1949, the parents joined their eldest daughter on a potato farm in Rainier, Alberta.

After her husband died in 1969, Mrs. Murakami lived on her own for 27 years before entering a nursing home. In 1992, she was introduced to Prince and Princess Takamado of the Japanese Imperial family during their visit to Lethbridge, Alberta.

To mark her 100th birthday, Mrs. Murakami's offspring returned to the old family home in Steveston and planted a flower garden in her honor. The site is now part of the Britannia Heritage Shipyard Park.

In 2001, the remarkable story of her life was told in a National Film Board documentary directed by her granddaughter. Linda Ohama began filming her documentary to mark the 100th birthday of her obachan, a Japanese term of endearment for an older woman, especially a grandmother. Despite her advanced age, Mrs. Murakami was an energetic subject and her colorful recollections are the highlight of the film.

Ms. Murakami on her 103rd birthday.
©John Iuchi—Ms. Asayo Murakami on her 103rd birthday in Calgary, Alberta.

As the filmmaker delved into Mrs. Murakami's life, she revealed details of her grandmother's life that were unknown to the rest of the family. Among those were the death of an infant son, and a bitter squabble with in-laws in Japan that forced her to leave her native land.

Meanwhile, Ms. Ohama learned the fate of the two girls left in Japan. They were sent to separate families after their paternal grandmother died in 1926, about two years after their mother left for Canada. The eldest daughter, Fumiko Sogou, had died in 1996. The younger daughter, Chieko Nishida, was found and told about the sister she did not remember, and a large family of half-brothers and half-sisters across the Pacific that she could not have imagined. She had grown up believing her parents had been killed in the 1923 earthquake.

Mother and daughter were finally reunited in Canada, an emotional scene captured in Obachan's Garden. On their reunion, Chieko said, "This dream... why didn't it come sooner?"

Mrs. Murakami, born in the 19th century, was witness to the first years of the 21st. In the first half of her life, she believed the emperor of her homeland to be a living god, and mourned the destruction by atomic bomb of a city (Hiroshima) near which she had once lived.

Asayo Murakami, homemaker and farm laborer; born in Onomichi, Hiroshima Prefecture, Japan, on February 15, 1898; died at the age of 104 in Calgary, Alberta on December 21, 2002. She leaves nine children, 21 grandchildren, 57 great-grandchildren, and five great-great-grandchildren. She was predeceased by four children, including an infant son, and her second husband, Otokichi Murakami, who died in 1969.

She was believed to have been the last living picture bride in Canada.


About the Author, Kojiro (John) Iuchi:

The author, Kojiro (John) Iuchi, came to Canada in 1969 on the Immigrant Student Training program. He was sponsored by the Ohama brothers. He worked on the Ohama potato farm, near the Town of Brooks, Alberta (150 km east of Calgary). He met Ms. Asayo Murakami while working there. As John says: "I had a wonderful time with Linda Ohama, her parents and Ms. Asayo Murakami when I was on the farm (1969-1971)." John left the farm in 1971, due to expiration of the government contract. He moved to Calgary, where he currently resides with his family.

About Filmmaker, and granddaughter, Linda Ohama:

Linda Ohama, Ms. Asayo Murakami's granddaughter, and a third-generation (sansei) Canadian of Japanese ancestry, has worked since the early 1970s as an exhibiting visual artist, arts educator and more recently, as a documentary filmmaker. Since embarking on her first independent film production in 1991, she has won numerous awards for her films. Her most recent film, Obachan's Garden, is a moving personal tale of mystery and memory told by a tenacious woman (her grandmother), who is over 100 years old. Obachan's Garden has received numerous awards including, Audience Choice Award at the Vancouver International Film Festival, and the Newport Beach International Film Festival, the Silver Medal at the Torino International Film Festival, a Genie nomination for best documentary and five Leo awards. In 2002, she was awarded the City of Richmond Heritage Award. Currently on the executive of Chibi Taiko Society, she has also served on the boards of Moving Images Distribution, Uzume Taiko and the National Nikkei Heritage Cultural Society. She is married to artist/filmmaker Jack Darcus and is the mother of three daughters.

*The Anglicized Obachan, as referred to in this article is, more correctly, the Japanese word Obaachan, with the first "a" accented with a marcon "¯" accent. However, the film Obachan's Garden is spelled with one unaccented "a," so I chose this version to avoid confusion.



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